St SAUVEUR CHAPEL, PARIS, FRANCE
There is nowhere better than a deconsecrated chapel to display Hypotheses, the second part of The Trilogy of the Moderns. This project evokes the rapid disappearance of civilisations and languages, the effacement of memories, and the loss of diversity to the profit of a unique, global form of knowledge. The authors focus on these effacements to warn us about the museification of the living, which we are allowing to die.